Articles & Essays

Passivity and Nonhuman Absorption in Julieta Campos’s “Celina o los gatos’” Revista de Estudios Hispánicos, vol. 52, no. 1, 2018, pp. 51-74.

“The Nature of Revolution in Rafael F. Muñoz’s Se llevaron el cañon para Bachimba.” Mexican Literature in Theory, edited by Ignacio Sánchez Prado, Bloomsbury, 2018: 93-110.

Hearing the Nonhuman: Defamiliarizing Sound and Image in Lo que soñó Sebastián,” Istmo: revista de estudios culturales centroamericanos, vol. 34, 2017.

Ernesto Cardenal’s Apologia for Ezra Pound,” Istmo: revista de estudios culturales centroamericanos, vol. 32, 2016.

González-Stephan, Beatriz and Carolyn Fornoff. “Market and Nonconsumer Narratives: From the ‘Levity of Being’ to Abjection” The Cambridge History of Latin American Women’s Literature. Eds. Ileana Rodríguez and Mónica Szurmuk. Cambridge: Cambridge UP, 2015: 486-502.

“Descifrar el Secreto: “La secta del Fénix” y el acertijo literario”, Variaciones Borges 39 (2015): 125-142.


Film Reviews


Documenting Extraction in La hija de la laguna,” Mediático, 12 June 2017.

The Case for Slow Cinema: Natalia Almada’s Todo lo demás” Mediático, 7 Nov. 2016.

On the Recent Guatemalan Film Ixcanul.Mediático, 8 Aug. 2016.


Book Reviews


Review of New Maricón Cinema, by Vinodh Venkatesh. Revista de Estudios Hispánicos, vol. 52, no. 1, 2018: 283-285.

Review of Cortázar sampleado, edited by Pablo Brescia. Revista de Estudios Hispánicos, vol. 51, no. 3, 2017: 703-705.


Scholarly Dictionary Entries


Race in American Film: Voices and Visions that Shaped a Nation. Edited by Daniel L. Bernardi and Michael Green, ABC-CLIO/Greenwood, 2017.

  • Border Incident.” pp. 129-131.
  • El norte.” pp. 271-272.
  • The Fugitive.” pp. 334-336.
  • Girlfight.” pp. 349-351.

You can also check out my publications on academia.edu.

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